Thursday 1 November 2012

John Keats and Ode to Grecian


                             

John Keats’ “Ode on a Grecian Urn, is a ode where the author is speaking about and describing the images depicted on a Grecian Urn. Both the tone and language of the ode suggest the writer of this work to be somewhat envious of the images before him, which makes sense once learning about Keats and what he was going through during the time he comprised this poem. Therefore, with extensive knowledge of Keats’ personal life, it would be reasonable to conclude that he wrote this poem under the influence of his personal life and own experiences. This paper is going to explore “Ode on a Grecian Urn” by reviewing Keats’ background to help make connections to the poem itself, as well as look at the poems language and identify the meaning behind the particular words chosen.
Author’s own experiences influencing text, and for this particular poem one can believe reviewing the author’s background to be necessary. Obviously, if someone has come across any of Keats’ work before, they would know many of them centered on death and despair, particularly because of the incurable tuberculosis which he was suffering from. It is much easier to see Keats’ implications in other works, when he writes about the fear he has of parting this earth and then being forgotten. However, in “Ode on a Grecian Urn”, the implications are far more subtle, and an examining of the text is necessary in order to determine what Keats is indicating.
Each of the stanzas of the poem describes a specific picture that is part of the Urn which is totally related to his life. For example in the beginning of the poem in the second and third stanza the author describes two young lovers laying beneath a tree, a young man playing a pipe and a young woman with him. He tells the young man, that because the piper’s music is not mortal, it is more beautiful. He continues that although the lovers cannot share a kiss the piper should be happy because of the fact that the woman’s beauty will never fade like that of a mortal.
Like most poems, “Ode on a Grecian Urn” contains many forms of figurative language including alliteration and personification. Keats’ poem is broken up into five stanzas, each one describing a different scene on the urn.
Researching Keats’ life prior to analysing the poem made it easier to understand, and therefore a more enjoyable read, and gave the poem new meaning. Also, because this poem incorporates the usual characteristics found in typical poetry, it is a great poem to use to practice those poetic elements as well. The Grecian Urn and the images sculpted on it is a symbolic representation of something Keats will never achieve because of his condition, static immobility and immortality. Keats then comprised this poem when fantasizing of a false reality, while his true feelings reflect sorrow and regret. Therefore, until the reader has a sufficient amount of knowledge regarding Keats and his life, they cannot fully appreciate it in the manner that it was intended. For Keats, death was a relevant factor; death was coming for him. There are so many things in this world that he has yet to achieve, yet to see, because of this on setting illness. The Urn does not age and does not die. In the imaginary life of the Grecian Urn life is still, and does not end. Ultimately, there are strong implications that “Ode on a Grecian Urn” was a reflection of the author John Keats’ attitude towards his thoughts on his own death. If the reader of this poem is made aware of Keats’ ordeal involving his fatal illness it is much easier to see beyond the poem itself and understand where his jealousy of these characters on the Urn and longing to be like them is coming from. Once the reader is knowledgeable of Keats and his life, the vivid depictions used in this poem can be better examined along with the figurative language used such as alliteration, metaphor and overall makeup of the poem in order to explicate it properly. This in affect will help the reader envision the Grecian Urn and enhance the reader’s interest and apprehension of the poem.  

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